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Launch Day Opening Lines: Midsummer Dreams at Mill Grange

On June 25, 2020

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Jenny Kane, News, Romance

Drum roll please! Fanfares all round!

Today sees the launch of my brand new, feel good romance,

This, the first in a trilogy, introduces you to Thea Thomas, Tina Martin, Shaun Cowlson, Sam Philips, and the unstoppable Mabel Hastings – and takes you into the beautiful Exmoor countryside, on the Somerset/Devon border.

To help celebrate launch day, I thought I’d share the Opening Lines.

Blurb

A warm-hearted, feel-good romance from Jenny Kane, a Kindle #1 bestselling author.

Thea Thomas needs to get away from her old life… and the interfering ex who won’t leave her alone. When she lands a job heading up the restoration of Mill Grange, a stunning Victorian manor in Somerset, it feels like the perfect opportunity to start afresh.

What Thea didn’t anticipate was how hostile the volunteer team, led by the formidable Mabel Hastings, would be about accepting new leadership. And with the deadline looming before the grand opening, Thea is in desperate need of more volunteers.

A broadcast appeal on the local news attracts the interest of arrogant but undeniably attractive celebrity historian Shaun Cowlson, who wants to make a TV programme about the restoration. It’s hard enough adding one more big personality to the mix – but then her ex turns up as one of the volunteers! What seemed like a dream come true is fast becoming a total disaster! Can Thea find a way to save the manor?

Midsummer Dreams at Mill Grange

FIRST 500 WORDS

Thea Thomas checked her mobile. EMERGENCY CALLS ONLY was written in bold type across the top of the screen.

She tried connecting to her Wi-Fi.

Nothing happened.

Relief made her shoulders sag, as a wide smile knocked away some of the nervousness she felt about starting a new job in an unfamiliar part of England.

Here, she could avoid the constant barrage of social media alerts and unwanted texts, calls and emails. Here, she could start over.

Positioned at the top of a high rise of land, not far from the southern border of Exmoor, the Victorian manor house called Mill Grange rose from the centre of a gravelled drive, taking command of the surrounding scenery. Three tiers of a once-loved terraced garden fell away from the house in tatty overgrown rows. At the foot of these gardens ran a semi-encircling band of encroaching woodland, which the Ordnance Survey map Thea was clutching declared to stretch down to the River Barle on one side and the meandering River Exe on the other.

Huddled beneath her thick jumper against the sharp March wind, Thea was enfolded in a sensation of freedom and peace. The very stillness of the air, the lack of any visible overhead wires or street lighting, made her feel as if she’d driven into a Victorian time capsule. A Roman historian and archaeologist to the bone, she felt daunted by the prospect of taking on the restoration of a manor centuries removed from her field of expertise. With its fourteen bedrooms, seven bathrooms, numerous associated rooms, outhouses, and the mill after which it was named, a quarter of a mile away on the edge of Upwich village, it was not a task for the faint-hearted. However, the early spring sunshine, which caused the house’s granite walls to glitter with welcoming promise, seemed to be telling her it was going to be alright.

Alongside her Roman studies at university, Thea had trained in industrial archaeology and museum management, and was well-qualified for the job in hand. But this challenge, to turn Mill Grange into a heritage centre, was vastly different from her last posting at the Roman Baths in Bath. She could feel herself prodding the outer edges of her comfort zone.

At least she wouldn’t have to face the unknown alone. Her best friend, Tina, had been associated with the project for some time. Then there was the team of volunteers who’d been working on restoring Mill Grange, on a casual basis, for the last five years. A tingle of anxiety dotted Thea’s palms as she wondered how they’d take to being guided in their endeavours after pleasing themselves for so long.

Flicking an unruly stray brown hair from her eyes, she circuited the outside of the manor house. Thea’s boots made satisfying crunching sounds against the gravel as she attempted to banish her nerves, peering through each window as she went. The eclectic mix of original Victorian and reproduction furniture and artwork she saw within took…

If you’d like to read on, then Midsummer Dreams at Mill Grange is now available as an eBook from all good retailers, including…

I hope you enjoy your first trip to Mill Grange. If you do, it won’ t be long before you can travel back there again!

Happy reading everyone,

Jenny xx

Opening Lines with Jennifer Macaire: A Crown in Time

By Jenny Kane

On May 28, 2020

In Blog, Fiction, Historical fiction, Opening Lines Blog

This week’s Opening Lines come from the pen of Jennifer Macaire.

Why not sit back and enjoy the first 500 words from her timeslip novel, A Crown in Time?

Over to you Jennifer…

In my last series, which started with The Road to Alexander, I wrote about a modern woman kidnapped by Alexander the Great and forced to spend the rest of her life in ancient times. The series ended, and instead of resting on my laurels and taking up something more relaxing like hang-gliding off cliffs or deep sea exploration, I started a new book. This time I was heading to the Crusades, and since I love time slip books, my heroine was sent back on a mission to set time back on track after a serious mistake put the future in jeopardy.

A Crown in Time: She must rewrite history, or be erased from Time forever…

(The Tempus U Time Travel series)

Since it was perfected in 2900, time travel has been reserved for an elite, highly trained few. However, on certain occasions, a Corrector is needed to rectify a mistake in the past.

Do your job well, and you’ll go down in history. Fail, and you will be erased from Time . . .

In the far future, a convicted criminal is given a chance at redemption. The Corrector Program at Tempus University is sending Isobel back in time, to the year 1270, to rewrite history.

Her mission? To save the crown of France.

If she follows the Corrector’s Handbook everything should run smoothly. But soon, Isobel finds herself accompanying a hot-headed young noble on his way to fight the infidel in Tunis: a battle Isobel knows is fated to be lost.

Isobel must fulfil her duty, knowing she can never return to her time, knowing one wrong move can doom the future, or doom her to be burned as a witch.

***

First 500 words:

Pax in nomine Domini

Peace in the name of the Lord

The nurse in charge of freezing my molecules inserted a glowing needle into my arm and had me count backwards from ten. I got to zero and stared at her, perplexed. ‘Now what?’

‘Again.’

I obeyed without question. Years of prison had left their mark. Then a cold wave washed through me. I felt my blood freeze. No one had told me it would be so painful. My teeth chattered and the place where the needle was inserted into my arm ached and ached. The pain grew. Frost bloomed in silver flowers on my hands and face. The pain was so intense I passed out. My last thought before I fainted was that despite all the work and planning, the program would now lose its Corrector. I was dying.

I didn’t die. I woke up lying on my back in the middle of a large mud puddle. Rain pelted my face, and my body convulsed with painful tremors. Groaning, I rolled over and propped myself up on my forearms. I retched and gagged, waves of nausea rolling through me. I tried to stand, but my legs wouldn’t hold me. I crawled off the road and collapsed on the verge. I had no idea why I’d been beamed into the middle of a road. I could have been killed.

I looked closer at the road and sighed. If anything was going to come down it, it would probably be an ox plodding before a heavy farm cart. The farmer would have been able to stop in time. Unlike me. I hadn’t been able to stop my car in time. I’d killed a child, and I’d been punished with life in a reproduction prison. For four years, I lay on a metal table once a month and donated an ovule, and in between, I worked at the prison library, copying ancient books and disks onto gel matrix for safekeeping. Then one day, I’d been given a choice. Go back in time and change a mistake, or continue to live in solitude, where my only jobs had been to produce eggs and reproduce books.

I’d been twenty years old when I went to prison. Twenty-four when I entered the Corrector Program at Tempus University, and now I was twenty-five, though I knew nothing of life. I felt both ancient and absurdly young. I’d barely had time to start living my own life when it ended. Now, I had the chance at a new beginning.

If only I could remember what that was. My mission now lay before me. I closed my eyes and tried to remember exactly what I had to do. Unfortunately, there seemed to be an empty space in my brain where that information was supposed to be. I couldn’t remember the first thing about it. I shivered with panic and cold. If my mission failed, the Time Correctors Facility from Tempus U would erase this portion of time, and I’d be erased along with it. I would never have existed past the day I entered the Tempus University TimeCorrector Program. In the far future, it would be as if I stepped inside the doors of that building – and simply vanished…

***

You can buy from all good retailers, including…

getbook.at/Crown (paperback)

mybook.to/CrownInTime (kindle)

Bio

Jennifer Macaire lives in France with her husband, three children, & various dogs & horses. She spent nearly the entire quarantine sitting on her balcony & reading, and she thinks healthcare workers are amazing super-heroes.

Many thanks Jennifer,

Happy reading everyone,

Jenny x

Opening Lines with Karen King: The Year of Starting Over

By Jenny Kane

On May 21, 2020

In Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Opening Lines Blog, Romance

This week, I’m delighted to welcome fellow author, Karen King, to my Opening Lines blog, to share the first 500 word from A Year of Starting Over.

Over to you Karen…

Hi Jenny,

Thanks so much for inviting me over to your blog. The opening lines I’m going to share are taken from my feelgood novel, The Year of Starting Over, published by Bookouture. The inspiration for this story came partly from my own ‘year of starting over’ when my husband Dave and I moved to Spain at the end of 2017. We live in Andalusia, the setting of the book, and some of the incidents actually happened to us.

Blurb

What if – to find yourself – you had to run away?

Last year was meant to be when Holly got her happy-ever-after. But stuck in a job that’s going nowhere, and a relationship that feels more like it’s going backwards… this year Holly has decided it’s time to change her life. She just has to:

– End the relationship with the commitment-phobic boyfriend
– Go on a proper adventure
– Learn to be herself again
– Definitely, categorically not fall in love.

Cramming her belongings into her little yellow Mini, Holly drives on to a ferry bound to Spain, to stay at a remote farmhouse near a beautiful village in the Andalusian hills.

But the day she arrives she nearly crashes her car into a gorgeous guy on a motorbike. He’s called Matias and their paths keep crossing, much to Holly’s irritation. Because as she learns to speak Spanish from the locals, finally starts laying out plans for her own design business, and sips sangria in the sunlit village square, Holly is beginning to remember who she is and what she wants.

So she won’t allow herself be distracted by Matias. Because this year – for Holly – there are more important things in life than love. And she won’t let yet another bad relationship ruin everything… will she?

A moving and uplifting romantic comedy about living each moment and learning to trust yourself again, for fans of Jenny Hale, Debbie Macomber, and Sophie Kinsella.

First 500 words.

Crash!

Holly groaned as she looked at the illuminated red numbers on the bedside clock: two thirty. Scott was finally home. He’d obviously gone on to a club with his mates and was now drunk. Again. She’d asked him not to be late back as she was on the early shift at Sunshine Lodge tomorrow, but he’d protested that it was Friday night and he’d been working hard all week, adding, ‘I need to chill out, babe. It’s not my fault you have to work tomorrow.’ It was a fair point, which made her feel guilty – as it was meant to do. Scott worked long hours as assistant manager of a games shop and often had to work weekends himself so couldn’t always have a Friday night out.

But when he had to work weekends, she didn’t come crashing in and wake him up in the early hours of the morning, did she? She swatted down her irritation, reminding herself that was because she didn’t like going clubbing. She preferred to spend her days and evenings off work either making cushions and throws to brighten up their flat or creating designs for the mugs, clocks and phone covers she sold on Dandibug, an online arts and crafts marketplace, hoping that one day she could turn it into a full-time business. Anyway, if she did come in late, she doubted if Scott would notice: he slept like a log and snored like a mechanical saw.

Holly turned over and tried to go back to sleep. Her friend Susie was always telling her, ‘You’re too much of a pushover, Holly. You should stand up to Scott.’ Susie didn’t understand that Holly hated conflict of any kind. She didn’t want to argue. She wanted to live in a nice, peaceful home like Pops and Nanna had. She missed them so much. Holly’s parents had split up when she was a baby; she’d never known her dad, and her mum was out at work

Pops and Nanna had adored Holly, and each other, and their love had shone out like a beacon of happiness. They’d been together since they were fourteen, got married at twenty-one and lived happily ever after. Nanna died two years ago, and Pops had missed her so much that when he too had gone peacefully in his sleep a few weeks ago, the knowledge that he was now with Nanna helped Holly and her mother cope with the grief of losing him. Nanna and Pops had both lived until their early nineties so had a good few innings, as Pops would have said.

Ever since she was little, Holly had dreamt of being happily married, just like Nanna and Pops, but all the guys she’d dated seemed to want a good time with no long-term commitment. She was hoping Scott was different; she loved him so much and he said he loved her too, but they’d been living together for over a year now and he hadn’t shown any sign…

Buy Links

Amazon: https://geni.us/B07KFGL5P2Social

Apple: http://ow.ly/Mfgd30nBig8

Kobo: http://ow.ly/edYm30nBijM

Googleplay: http://ow.ly/qTmS30nBi94

Author Bio

Karen King is a multi-published bestselling author of fiction for both adults and children. She has also written several short stories for women’s magazines.

Currently published by Bookouture and Headline. Karen has recently signed a two-book deal with Bookouture to write psychological thrillers. The first one will be out in November, and the second one in 2021. She is also contracted to write three romance novels for Headline, which will be out in 2021 and 2022.

Contact links

Many thanks Karen,

Happy reading everyone

Jenny x

Opening Lines with Anna Legat: A Conspiracy of Silence

By Jenny Kane

On May 14, 2020

In Blog, crime, Fiction, Jenny Kane, News, Opening Lines Blog, thriller

Today I’m delighted to welcome Anna Legat to my blog. She is not just here to share her Opening Lines, but to reveal the cover for her latest DI Gillian Marsh, detective novel, A Conspiracy of Silence, which you can pre-order now!

Blurb:

When a body is found in the grounds of a prestigious Wiltshire private school, DI Gillian Marsh takes on the case. The young groundsman, Bradley Watson, has been shot dead, pierced through the heart with an arrow.

As the investigation gathers pace, DI Marsh is frustrated to find the Whalehurst staff and students united in silence. This scandal must not taint their reputation. But when Gillian discovers pictures of missing Whalehurst pupil, fifteen-year-old Rachel Snyder, on Bradley’s dead body – photos taken on the night she disappeared, and he was murdered – the link between the two is undeniable.

But what is Whalehurst refusing to reveal? And does Gillian have what it takes to bring about justice?

First 500 words

Sarah Snyder was waiting in her car. She tapped her blue fingernails in close proximity to the horn, but she held back from sounding it. To kill time, she checked her lipstick in the rear view mirror and rubbed her front teeth to remove a red smudge. She turned on the radio only to hear the part of the news she wasn’t interested in: sport, followed by the weather. She was restless but she was pleased: Rachel was taking her sweet time.

Rachel was chatting to her friends ‑ Rhiannon and a couple of other girls. Only once did she steal a glance in the direction of her mother’s car – just to check Sarah was there, waiting. Reassured, she turned back to her chums and whispered something into Rhiannon’s ear. Whatever she said, it made Rhiannon laugh. Rachel laughed too.

It was an immeasurable relief to see her child happy, having a conversation with other people, and laughing. She was laughing! Sarah was so relieved she wanted to cry.

Only three days ago the picture had been very different. Head down, eyes boring a hole in the ground, Rachel would clutch her bag to her chest and run for the car as if the hounds of hell were after her. She would slump in her seat and mutter under her breath, Drive, Mum, just drive, and not speak for the rest of the day. She would lock herself in her room and brood.

Sarah winced at the memory and pushed it out of her mind. She waited and counted her blessings, of which there were many. She decided she would cancel the GP appointment. There was nothing wrong with Rachel, just the usual growing pains of puberty.

At last Rachel parted company with her friends, waved to someone hidden inside the school, and headed for the car. Her face, still beaming and full of bounce, appeared in the wound-down window.

‘Hi, Mum.’

‘I take it you had a good day?’ Sarah pulled her sunglasses to the tip of her nose and produced an expectant grin.

Rachel made a non-committal noise. She pecked her mother on the cheek and slid into the passenger seat. She was still smiling, addressing her smile to the windscreen and to the view of the tarmac in front of the car, but that was enough for her mother to flick her sunglasses up her nose and start the engine.

‘That good!’

The front right wheel stumbled over the kerb while the rear one rubbed against it as the car lurched sharply across the road to join the line of traffic leaving the school. Were it not a big and sturdy four-wheel-drive, it would have been written off a long time ago. Sarah did not treat it well. She used it more like a bulldozer than a means of transportation.

Accustomed to her mother’s driving antics, Rachel didn’t as much as blink. She bent forward in her seat and began tampering with the radio in search of a…

***

What readers are saying about Anna Legat:

‘Brilliant. I didn’t want to put it down!‘

‘It’s a rare author who can keep me guessing until the end – and the ending was a shocker‘

‘Plenty of twists and turns’

‘A brilliantly complex spaghetti of unrelated sub-plots to challenge any armchair sleuth‘

‘I thoroughly enjoyed this book, reading it cover to cover in a weekend’

‘I shall look out for more from Ms Legat’

***

PRE-ORDER LINKS

https://www.amazon.co.uk/Conspiracy-Silence-Gillian-Marsh-Mysteries/dp/1786159767/ref=sr_1_2?dchild=1&keywords=anna+legat&qid=1589207196&sr=8-2

A Conspiracy of Silence ebook by Anna Legat – Rakuten Kobo

Bio

Anna Legat is a Wiltshire-based author, best known for her DI Gillian Marsh murder mystery series. A globe-trotter and Jack-of-all-trades, Anna has been an attorney, legal adviser, a silver-service waitress, a school teacher and a librarian. She read law at the University of South Africa and Warsaw University, then gained teaching qualifications in New Zealand. She has lived in far-flung places all over the world where she delighted in people-watching and collecting precious life experiences for her stories. Anna writes, reads, lives and breathes books and can no longer tell the difference between fact and fiction.

To find out more: https://annalegatblog.wordpress.com/

FB: Anna Legat

Good luck with your new novel Anna.

Happy reading everyone

Jenny xx

Opening Lines : A Cornish Escape is OUT NOW!

By Jenny Kane

On May 7, 2020

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, News, Romance

I’m delighted to announce that A Cornish Escape, is OUT NOW!!

To celebrate, I’m sharing my own Opening Lines this week.

So, sit back and enjoy the first 500 words of my Cornish romance…

Blurb

Perfect for fans of Jenny Colgan, Phillipa Ashley and Cathy Bramley, this summer romance is sure to warm your heart.

Abi’s life is turned upside down when she is widowed before her thirtieth birthday. Determined to find something positive in the upheaval, Abi decides to make a fresh start somewhere new. With fond childhood memories of holidays in a Cornish cottage, could Cornwall be the place to start over?

With all her belongings in the boot of her car but no real plan, a chance meeting in a village pub brings new friends Beth and Max into her life. Max soon helps Abi track down the house of her dreams but things aren’t as simple as Abi hoped.

Can Abi leave her past behind and finally get her happy ending?

(Previously published as Abi’s House)

First 500 words

It was the muffins that had been the last straw. As Abi sat nursing a glass of wine, she thought back to the events of an hour earlier with an exasperated sigh.

Hurrying towards the church hall, Abi parked Luke’s unnecessarily large and ostentatious Porsche 4×4, and headed inside with a stack of Tupperware tubs in her arms. With her handbag slung over her shoulder and her key fob hanging from her teeth, Abi precariously balanced her load as she elbowed the hall door open.

Although she was twenty minutes early, Abi had still managed to be the last to arrive, earning her a silent ‘tut’ from some of the executive wives who were adding the finishing touches to the tables that surrounded three sides of the hall, and sympathetic grimaces from everyone else.

Acting as though she hadn’t noticed the air of disapproval, Abi made a beeline for the cake stall and plastered her best ‘this is for charity so be happy’ expression on her face. Polly Chester-Davies, an exquisitely dressed woman whom Abi always thought of as ‘Perfect Polly’, was adding doilies to plates, making the stall look as though it was stuck in a timewarp.

‘Ah, there you are, Mrs Carter, I’d given you up.’

Biting back the desire to tell Polly she’d been working, and was in fact early anyway, Abi began to unpack her wares, ‘Here you go, two dozen chocolate muffins without frosting, and two dozen with frosting, as requested.’

Polly said nothing, but her imperious stare moved rather pointedly from Abi’s face to the chocolate muffins already in position on the table, and back again.

Her disdainful expression made Abi mumble, ‘Are you expecting to sell lots of chocolate muffins today then?’

‘No, Mrs Carter, I am not. Which is precisely why you were instructed to make chococcino muffins.’

It had been that ‘instructed’ which did it. In that moment Abi felt an overwhelming hit of resentment for every one of the orders she had gracefully accepted from this Stepford harridan of the community.

For almost three years Abi had been doing what this woman asked of her, and never once had she said thank you, or commented on how nice Abi’s cooking was. Probably, Abi thought as she compared her own muffins with those provided by Perfect Polly herself, because mine don’t look like they could pull your fillings out. Nor had any reference ever been made to the fact that she would have to catch up on her own work in the evenings, after helping out with whichever good cause she’d been emotionally blackmailed into supporting this time. Not that Abi was against supporting a good cause, but this was different. These women didn’t raise funds for whichever charity was flavour of the month out of the goodness of their hearts. They did it because it was what they should be seen to be doing. It went hand in bespoke glove with being the wife of a successful man in the…

Available as a paperback or in eBook format, you can buy your copy of The Cornish Escape from all good book retailers, including

Amazon UK

Amazon.com

Happy reading,

Jenny xx

Opening Lines from Morwenna Blackwood: The (D)evolution of Us

By Jenny Kane

On May 4, 2020

In Blog, crime, Fiction, News, Opening Lines Blog, thriller

It is with the greatest of pleasure that I bring you this week’s Opening Lines from Morwenna Blackwood.

Not only is this Morwenna’s debut novel – but it is also a novel written during my very first set of #novelinayear workshops. To say I’m proud of the work Morwenna has produced is an understatement.

So, put your feet up with a cuppa, and take a look at The (D)evolution of Us.

Over to you Morwenna…

Once upon a time, I heard about a writing workshop run by best-selling author, Jenny Kane. It was held in my local café, and as ’twas a dark and stormy day and I’d just been given a pen in the shape of a cactus, I thought I’d go. I loved it, and at the end, Jenny mentioned that she was thinking of running a Novel in a Year course as part of Imagine Creative Writing. I signed up there and then (with my new pen). Over the year, I wrote The (D)Evolution of Us, and with the support of Jenny, my local writers’ group and my brilliant husband, I submitted my manuscript to darkstroke, it was released on Star Wars Day, and we all lived happily ever after…?

***

I spent most of my childhood and teenage years hiding in libraries; now, I carry my own personal one around in my pocket wherever I go. This doesn’t mean I don’t still stop and lose track of time in bookshops and bookstalls, though. In fact, this morning, on my lockdown-permitted-exercise walk, some lovely person had left a storage container full of books at the end of their front garden, with a note on it inviting passers-by to pick one, or leave one for others who might be in need of a random lockdown read. I couldn’t help myself – I paused for a look.

The thing I love most about reading second-hand books is finding bits of other stories inside them: forgotten bookmarks; ticket stubs; Biro-ed dedications; and best of all, notes scrawled in the margins. In the books I own, I am a margin-scrawler. My husband says this is defacing someone else’s work, but to me, it’s adding to it. Stories are inextricably linked, and in any case, what one reader gets from a book will be different to the next, and that’s the beauty of it. Perception is everything.

The (D)Evolution of Us is an exploration – or explanation – of those ideas. The novel is a noir existential thriller, set in a small Devon town at the turn of the 21^st century, and is told from the view points of the three protagonists, Richard, Kayleigh and Catherine. The girls are best friends. Catherine is dead.

Mental illness, personal history, personality and perception drive the actions of all three as they struggle to make sense of their lives and their agency; whilst living in a town where everyone appears to know everything about everyone else, and the days roll away in a work-pub-work-pub cycle.

This is my debut novel, and its origins lie in my own existential dread. In the end, I decided to wholeheartedly pursue the only thing I’ve ever wanted to do – write – and if there’s ever a starting point to anything, the story of Richard, Kayleigh and Catherine is it for me.

If you come into possession of the paperback, feel free to write in the margins.

***

Blurb

… the water was red and translucent, like when you rinse a paint brush in a jam jar. The deeper into the water, the darker the red got. No, the thicker it got. It wasn’t water, it was human. It was Cath.

Cath is dead, but why and how isn’t clear cut to her best friend, Kayleigh. As Kayleigh searches for answers, she is drawn deeper into Cath’s hidden world. The (D)Evolution of Us questions where a story really begins, and whether the world in our heads is more real than reality.

First 500 words

Prologue

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I reviewed Catherine at The Meadows today. She reported that her OCD was less ‘loud’ than when we last met in November, after the Crisis Team was called. This improvement has coincided with the resuming of clomipramine, which seems likely to have been helpful, as it has been in the past. Catherine agreed to the suggestion that this dose be increased to 200mg: 100mg morning and evening.

Catherine is coping well with life and states that her relationship with Richard is good. However she refuses to tell him about restarting the clomipramine, which is of concern to me. She has also resumed her writing. I again offered Catherine a course of CBT, but she was resolute that she found it ‘useless’.

Catherine has now found employment in a health food shop but struggles with her OCD when closing down the tills and locking up at the end of the day, though she admits that she recognises that her rituals are entirely irrational.

Overall, in spite of her very significant persisting difficulties, I think that Catherine’s life has improved with the reintroduction of clomipramine.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I met with Kayleigh at The Meadows this morning, where she revealed to me that she is in the first trimester of pregnancy. She had requested the appointment (we were not due to meet again for another six weeks), in order, primarily, to discuss her medication, with regards to her new condition.

I found the fact that she did this encouraging, as I did her general demeanour. She was casually, but neatly, dressed, maintained good eye-contact throughout our interview, and appeared to have a good understanding of her mental health, and how it could impact on her (unborn) child.

We decided together that it would be prudent for Kayleigh to remain taking her lithium for the duration of her pregnancy, with close monitoring from her midwife and the Perinatal Team.

In spite of Kayleigh’s reports of having been ‘stable’ for the last few months, I have suggested that we meet at The Meadows every six weeks for the foreseeable future. I have also asked her to make an appointment for bloods to check her lithium levels as soon as possible – it is critical that she maintains a therapeutic dose.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

Richard

I’m half-listening to the radio, running a bath for my girlfriend, Cath. She’s sitting on the toilet seat, staring at me. I’m standing in the doorway, staring at her. Then I start to laugh. They’re playing that song by Marillion – Kayleigh – the one her hippy twat of a best mate likes to say she was named for, even though she’s too bloody old. I say she’s a hippy twat – I’d still shag her. She needs a good seeing to – and a good slap. She dots her ‘i’s with hearts, for fuck’s sake! And then the phone rings. Bloody witches. I…

You can buy The (D)evolution of Us from all good retailers, including…

mybook.to/devolution

https://www.amazon.co.uk/Devolution-Us-Morwenna-Blackwood/dp/B086FKDK7C/ref=mp_s_a_1_1?dchild=1&keywords=the+Devolution+of+us&qid=1588158553&sr=8-1

Bio – When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends. The story was about a frog. It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries. She travelled about for a decade before returning to Devon. She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of. When she is not writing, she works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Amazon Author Central: amazon.com/author/morwennablackwood

FB Page: https://www.facebook.com/morwennablackwood

Twitter: @MorwennaBlackw1

Instagram: morwennablackwood_

***

Many thanks Morwenna- wishing you huge success.

Happy reading Jenny

PS- She really did turn up with a cactus pen xx

Opening Lines with Jan Baynham: Her Mother’s Secret

By Jenny Kane

On April 30, 2020

In Blog, Fiction, Opening Lines Blog

This week, I’m delighted to welcome Jan Baynham to Opening Lines, to talk about her debut novel, Her Mother’s Secret.

Over to you, Jan…

‘Her Mother’s Secret’, with its sub-heading of ‘the Summer of ‘69’, is my debut novel. It is the first of three I’ve been contracted to write for Ruby Fiction. All three novels involve secrets and forbidden love, explore mother and daughter relationships and are mainly or partly set in countries other than Britain. ‘Her Mother’s Secret’ was published on April 21^st as an ebook and most of it is set on Péfka, a fictional island off the coast of southern Greece. The story opens in 1991when a young Welsh woman, Alexandra Davies, is grieving after the untimely death of her mother. Elin has left her diary to her daughter and on reading it, Alexandra discovers a part of Elin’s life she knew nothing about. She is shocked as the secrets from Elin’s past are revealed and realises she didn’t know her mother as well as she thought. I tried to put myself in Alexandra’s shoes. Having had a very close relationship with her mother, how must she have felt finding out that her mother had kept such secrets from her?

The diary takes us back to 1969. Elin Morgan leaves Wales after finishing art college to spend the summer months studying at a painting school in Greece. She records everything about her summer on the island but, while there, something happens that causes her to never paint again. The secrets of that summer remain with her until she dies twenty-two years later.

Alexandra makes her own journey to Greece, following in her mother’s footsteps. She arrives on the same beautiful island that made such an impression on her mother. Once there, she sets about uncovering what really happened to Elin in that summer of ’69 and why it was never mentioned again. Will she understand why her mother closed down that part of her life?

Why Greece? Having had several holidays there now, I first visited the country in the seventies when we stayed with my aunt and Greek uncle. I fell in love with the climate, the vibrancy of the colours of the sea and flowers and the warmth of its people. It seemed to be an ideal place for a young artist to spend her summer. I enjoyed getting to know my Greek characters, some named after or based on people I’ve met and observed on visits over the years. Dimitra, the host at the taverna where Elin stays, is named after a lovely waitress from the hotel we go to in Crete. On a trip to a Cretan village, I watched a woodturner working at his lathe on pieces of olive wood and he became the inspiration for Yiannis who figures largely in Alexandra’s story. Vassilis is named after an elderly Greek who led me onto a taverna dance floor. He tried to teach me traditional dancing and had the bruised toes to prove it! He appears in both Elin’s and Alexandra’s story. I hope I’ve done justice to the country and its people by giving the reader a glimpse of life on my fictional island.

***

BLURB:

A secret left behind in the summer of ’69 …

It’s 1969 and free-spirited artist Elin Morgan has left Wales for a sun-drenched Greek island. As she makes new friends and enjoys the laidback lifestyle, she writes all about it in her diary. But Elin’s carefree summer of love doesn’t last long, and her island experience ultimately leaves her with a shocking secret …

Twenty-two years later, Elin’s daughter Alexandra has inherited the diary and is reeling from its revelations. The discovery compels Alexandra to make her own journey to the same island, following in her mother’s footsteps. Once there, she sets about uncovering what really happened to Elin in that summer of ’69.

FIRST 500 WORDS

Prologue

1969, The Peloponnese, Southern Greece

Sofia Simonides let out a scream and tottered backwards. Her pulse struggled to force blood around her veins. The body was slumped against the gnarled trunk of an ancient olive tree, head hanging to one side and resting on the left shoulder.

The man had a blue-grey pallor, his skin a candle-wax translucency. Sofia bent over and touched his cheek. It was icy cold; she gasped, drawing back her hand. Blood from a gash on one wrist had seeped over his thigh and there was a deep red stain in the sand. A long-bladed knife caked in dried blood lay by his side. Sofia eased out the piece of paper he clutched in one fist, unfolded it and read the message.

Falling to her knees, she sobbed.

‘Andreas, no-o-o! No! What have you done?’

A piercing howl from deep inside her shattered the cool, still air of the dawn.

Chapter One

Alexandra

1991, A market town in the heart of rural mid-Wales
The sky was lead-grey, heavy with blue-black rain clouds threatening a downpour. The dreariness of the day reflected my mood as I turned the Mini into the cul-de-sac. A shiny red two-seater was parked in the drive behind my father’s Audi. I pulled up alongside the kerb, took a deep breath, trying to avoid a downpour of my own, and entered the house. There was laughter coming from the kitchen.

‘What’s she doing here?’

My father and his friend turned to face me. His mouth gaped open.

‘Alexandra. Apologise, straight away. Sally, I’m very sorry. She has no right to speak to you like that.’

‘It’s all right, Richard. Alexandra’s upset. I’ll go now. The food’s almost done, anyway. You just need to serve it straight from the oven once the timer rings. Shall I call Claire down on my way out?’

I glared at the woman who stood there taking off Mam’s apron. My heart quickened. Mam? My mind was playing tricks on me. It wasn’t Mam, was it? She should be the one standing there, greeting me, cooking dinner. Not her. I struggled to breathe. How dare she? How dare he?

My father accompanied Sally outside, and I heard the throaty roar of the sports car signal that she’d gone. I braced myself for the row that would ensue, but I wasn’t being unreasonable, was I?

Claire entered the kitchen first. She was four years younger than me, tall and slim with long auburn hair and sage-green eyes. She took after my father’s side of the family. He idolised her.

‘What was all that about and where’s Sally?’ she said.

By then, my father had joined us and they both stared at me. ‘Well?’

‘That woman’s here all the time, wheedling her way in. She’s even taken to wearing Mam’s things.’ I twisted the cotton apron into a ball in my hands and heard my voice rise.

Claire moved to switch off the timer and reached for the oven gloves…

***

‘Her Mother’s Secret’ is available on Amazon:

https://www.amazon.co.uk/s?k=her+mother+s+secret+jan+baynham&ref=nb_sb_noss

Bio

After retiring from a career in teaching and advisory education, Jan joined a small writing group in a local library where she wrote her first piece of fiction. From then on, she was hooked! She soon went on to take a writing class at the local university and began to submit short stories for publication to a wider audience. Her stories and flash fiction pieces have been longlisted and shortlisted in competitions and several appear in anthologies both online and in print. In October 2019, her first collection of stories was published. Her stories started getting longer and longer so that, following a novel writing course, she began to write her first full-length novel. She loves being able to explore her characters in further depth and delve into their stories.

Originally from mid-Wales, Jan lives in Cardiff with her husband. Having joined the Romantic Novelists Association in 2016, she values the friendship and support from other members and regularly attends conferences, workshops, talks and get togethers. She is co-organiser of her local RNA Chapter and a member of the Society of Authors.

You may find out more about Jan here:

Twitter: @JanBaynham https://twitter.com/JanBaynham

Facebook: Jan Baynham Writer https://www.facebook.com/JanBayLit/

Blog: www.janbaynham.blogspot.co.uk

***

Many thanks Jan,

Happy reading everyone.

Jenny x

Opening Lines: Tales from Deepest Darkest Devon

By Jenny Kane

On April 16, 2020

In Blog, Contemporary fiction, Contemporary Romantic Fiction, crime, Fantasy, Fiction, ghost story /gothic, Historical fiction, Jenny Kane, News, Opening Lines Blog

This week’s Opening Lines blog features a brand new anthology of stories – put together by the Exeter Author’s Association – of which I am a tiny part.

The anthology, Tales from Deepest, Darkest Devon, features 19 different stories from 13 authors, all living in and around the county; from Brixham, to Tiverton, Ottery St Mary to Bampton, and many places in between. The stories cover a wide range of genres, and offers a story for every literary taste.

Part of the sales from this book will go to the Devon Air Ambulance Trust

Blurb

Devon; a land of beauty, of moors, villages and coasts. A place of stories, told by the people who live there.

Take a look beneath the surface of Devon with the Exeter Authors, nineteen tales from thirteen of the county’s finest writers.

Contains some adult (18+) material.

Bobbing. Discover why revenge is a dish best served with cider,

Make a wish. Devon is the place to spend the rest of your life.

The Dartmoor Dragon. Discover the magic on the moor.

Cutty Dyer. Quiet villages can hold deadly secrets

Winter Snow. The old ways are the best

The Padding Horror. On the moors, an ancient evil is stalking its latest prey.

Under the Hunters Moon. You’re never truly alone on the moor

The Fairmile Green Man. Has Swampy and his protest been forgotten? A green man carving brings a much older story back to life.

Guardians. A peaceful little village hides a dark secret.

And many more.

Contributors: Jenifer Braund, Richard Dee, Maura Beckett, Chip Tolson, Brian Willis, Janet Few, John Hall, K. Y. Eden, Richard Lappas, Tracey Norman, Mark Norman, P.J. Reed and Jenny Kane.

Part of the sale price goes to the Devon Air Ambulance Trust.

Here are the opening lines from my own story, Bobbing.

Feeling like a malevolent Eve slithering through the Garden of Eden, Libby did a slow twirl in the centre of the old cider barn.

The gauze dress was thin. It caressed her skin with a teasing arousal.

She was fertility herself.

If Robert hadn’t wanted her before, he’d definitely want her now. But then, if she was honest, that had never been a problem. Robert always wanted her. He always wanted everyone. And her boss usually got what he wanted.

The scrumpy’s pungent presence accosted Libby’s nostrils as she ascended the ladder propped against the eight foot high cider barrel. Empting two boxes worth of apples into the liquid, she watched as the fruit bobbed across the foamy alcoholic surface.

Smiling into the vat depths, Libby counted the apples, making sure there were enough for all the guests to have a go at capturing one with their teeth. Then, balancing carefully, she reached up to the ceiling. A stick was hanging horizontally from ropes above the barrel. Tying a beeswax candle to one end and an apple on string to the other, Libby gave the stick a gentle push. She watched with satisfaction as it swung back and forth over the barrel of bobbing cider.

Returning to the ground, Libby checked the collection of silk ties next to the steps. Each one waited patiently to fasten hands behind their backs of potential bobbers; thus eliminating their temptation to cheat.

Libby experienced an unexpected flash of power as she heard Robert’s distinctive footsteps approaching. It was difficult not to grin too widely when she remembered how pleased he’d been when she’d suggested he had the honour of being the first to attempt the ancient apple catching ritual.

Fingering her pentagram shaped pendent, Libby’s mind filled with images of ancient Pagan fertility rites she’d seen in history books.

‘You wanted a traditional Pagan celebration boss, and this is it. There’s alcohol soaked bread to be offered to the trees in the orchard, cider ready to be poured onto the roots to toast the crops health, apple bobbing, and of course, the apple stick.’

Allowing Robert to slip his arms around her waist, Libby wasn’t surprised when he shuffled close enough for her to feel his crotch against her butt. Rather than examine the beauty of the Celtic scene she’d created, Libby knew Robert would be checking to make sure no one else was in the barn.

He glided his hands from her waist to her tits. She let him. As the moment to execute her plan grew ever closer, Libby’s body had been on the cusp of an increasing impatient sexual high.

As Robert pushed her back against the barrel, he peered up at the hanging stick. ‘It looks impossible! And dangerous.’

Easing away from his grasp, Libby climbed the ladder and lit the end of the swinging candle. Her eyes flared with the fizz of the wick as it caught…

***

You can buy Tales from Deepest Darkest Devon in paperback or as an eBook from Amazon via…

Happy reading everyone,

Jenny x

Opening Lines with Carol McGrath: The Silken Rose

By Jenny Kane

On April 1, 2020

In Blog, Historical fiction, history, medieval, Opening Lines Blog

Today I’m delighted to welcome Carol McGrath to my blog, as she goes on tour with her brand new historical novel, The Silken Rose.

Why not sit and relax for five minutes, while you enjoy a little background to this, the first of The She Wolf Trilogy – as well as the first 500 words.

Over to you Carol…

The Silken Rose is the first novel in The She Wolf Trilogy, three standalone novels about three medieval queens set during the thirteenth and fourteenth centuries. Ailenor of Provence, Eleanor of Castile and Isabella of France were considered she wolves by later writers but they were reviled by many barons during their reigns because of the influence the exercised over their husbands. Ailenor was guilty of nepotism, Eleanor grabbed lands and built up a property empire and, as for Isabella, say no more, she simply deposed her husband and set up her son Edward III as king in his stead. Their thrilling and intriguing stories are intersected with those of three ordinary women, ordinary in rank but independent and from the merchant class. The first appears in The Silken Rose. She is an embroiderer and Rosalind’s story intersects with that of Queen Ailenor. Enjoy the short blub and extract. The book is published on 2^nd April as an e book and as a paperback on 23^rd July. The audio is currently available too.

It is 1236

Ailenor of Provence, cultured and intelligent, is thirteen when she marries Henry III. She is aware of the importance of providing heirs to secure the throne. She will protect England’s throne from those who would snatch it away. She is ruthless in her dealings with Henry’s barons.

Beautiful Ailenor’s shrewd and clever Savoyard uncles can support her, until her power is threatened when Henry’s half-siblings also arrive at court.

Henry and Ailenor become embroiled in an unpopular, expensive war to protect the last English territories in France, sparking conflict with warrior knight, Simon de Montfort, the King’s seneschal. It is the final straw.

Caught in a web of treachery and deceit, ‘she-wolf’ Ailenor’s courage is tested to the limit. Can she control her destiny and protect her family?

First 500 words…

Canterbury, January 1236

The road from Dover to Canterbury was mired with mud so progress was slow. Ailenor, Princess of Provence, had never seen such weather. She tugged back the oiled canvas and peered from her long, box-like carriage into the January landscape. A collection of gaunt faces stared back; figures huddled in heavy cloaks, watching the golden lions of Savoy and Provence pass through Canterbury’s gate into the cramped lanes of the city.

Domina Willelma’s rhythmic snores competed with the splashing of hooves moving laboriously through the gateway, the roll of wheels belonging to sumpter carts, the cracking of whips and the protesting snorts of an escort of three hundred horsemen. All the way from Dover, thirteen year-old Ailenor had listened to rain rattling on the curved roof of the carriage. With a hiss, it dripped through a minute crack onto the box of hot charcoal that warmed her feet.

She let the curtain drop and withdrew into her furs. It’s so different to my golden Provençal fields on which sun shines winter and summer.

A tear slid down her cheek. She instinctively drew her mantle closer. This was not what she imagined after Richard of Cornwall, King Henry’s brother, had visited their castle of Les Baux last year and she had listened to his thrilling tales of romance. England was not the magical land she visualised when she wrote her best poem ever, set in Cornwall, verse Prince Richard admired. Nor was it the green country filled with wild flowers she dreamed of when Henry, King of England, sent for her to become his bride.

She shivered in her damp gown. She had not wanted woollen gowns and underskirts. Rather, she desired velvets, silks and satins, and the finest linen for under-garments. But after two days’ travel over the Narrow Sea and on waterlogged roads she understood the need for warmth. She was now to dwell in a land where winter never ended and summer was but a distant prayer.

The carriage jolted to a halt. Uncle William, the Bishop, thrust his head through the heavy hanging.

‘We are approaching the palace. Prepare to descend.’ He almost fell off his horse as he pushed his neck further into the carriage to waggle a long finger at Ailenor’s senior lady. ‘Waken that woman at once. Order her to tidy your dress.’ With a grunt, he withdrew before Ailenor could reply.

‘Domina Willelma, wake up.’ Ailenor gently shook her lady’s shoulder. ‘Uncle William says ‑’

‘By our sainted Lady, my child, forgive me. Why have you permitted me to sleep?’ Lady Willelma sat straight up, her dark eyes wide awake.

‘Because, dear Willelma, you have hardly slept since we left Vienne and that was three weeks ago.’

‘I’m neglecting my duty to your mother.’ Willelma opened the tassels of a velvet bag. My mother, Ailenor thought. If only she were here. She would make jests and have me laugh at it all. How can I face this awful land alone?

***

Buy Link – https://tinyurl.com/ssdrk28

Make sure you don’t miss a single stop on this amazing blog tour!

Bio

Following her first degree in English and History, Carol McGrath completed an MA in Creative Writing at The Seamus Heaney Centre, Belfast, followed by an MPhil from University of London. Her fifth historical novel, The Silken Rose, first in The Rose Trilogy, published by the Headline Group, is set during the High Middle Ages. It features Ailenor of Provence and will be published on April 2^nd 2020. Carol was the co-ordinator of the Historical Novels’ Society Conference, Oxford in September 2016. Visit her website:

Carol’s links are all on her website: www.carolcmcgrath.co.uk

***

You can join in with Carol’s ‘virtual’ book launch tomorrow, on Twitter, from 3pm!

Many thanks fro visiting today Carol.

Good luck with your new novel and the rest of your blog tour.

Jenny x

Opening Lines with Jules Hayes: The Walls We Build

By Jenny Kane

On March 26, 2020

In Blog, Fiction, Historical fiction, Opening Lines Blog

I’m delighted to welcome Jules Hayes to this week’s Opening Lines, with her new novel, The Walls We Build.

Over to you Jules…

Thank you for having my new book, and me, over on your blog, Jenny.

The Walls We Build is my debut historical novel and written under my pseudonym, Jules Hayes. I also write contemporary thrillers as JA Corrigan.

The Walls We Build, part love story, part thriller, and part mystery, is a sweeping generational dual timeline tale and set in the period between 1928 and 2004. The narrative boldly draws on the figure of Winston Churchill, who takes a small but important cameo role in this labyrinthine story of three childhood friends.

I was inspired to write the story after seeing a photograph of Winston Churchill – Britain’s pugnacious but passionate wartime Prime Minister – addressing battle-weary troops in Libya, North Africa, and only days after the Allied victory in the desert war campaign.

This powerful image compelled me to write a story about one of the men listening to Mr Churchill’s victory speech that day in April 1943. The idea took root, and once I began to write the story became so very clear, as did the characters, settings, and the themes. I wanted to write a mystery, I wanted to write a love story, I wanted to write about relationships, and I wanted Winston Churchill in a cameo role, mirroring my main male protagonist – Frank: An ordinary man and an extraordinary man. How do their paths continue cross over the years?

Blurb

Set against the stunning backdrop of Chartwell, Winston Churchill’s country home, and reverberating through three generations comes a tragic story of misguided honour, thwarted love and redemption.

Three Friends

Two Secrets

One Hidden Life

Growing up around Churchill’s estate, Frank, Florence and Hilda are inseparable, but as WW2 casts its menacing shadow their friendships become more complex and strained. Following Frank’s death in 2002, Florence writes to his grandson, Richard, hinting at a dark past.

On investigation, disturbing secrets come to light that have not only haunted his grandfather’s life but will now impact on Richard’s too. When a pivotal encounter between Frank and Churchill is revealed and a mystery relative in a psychiatric hospital discovered, just how much more does Florence dare disclose, and is Richard ready to hear?

For readers who enjoy the work of Kate Morton, Rachel Hore, Lucinda Riley, Katherine Webb and Juliet West.

***

First 500 words…

~ Out of intense complexities, intense simplicities emerge

Frank

February 2002

Frank lifted his head a fraction and listened to his wife shuffling around in the bedroom above. She was keeping out of his way, just as she’d been doing for more years than he wanted to admit. He slumped further into the armchair that she’d placed strategically so he could look outside, and not bother her. With his chin resting on his chest, he scrutinised his useless body, knowing he’d never achieve the miraculous recovery his old employer had managed fifty years before.

Finally, Frank turned, his line of vision settling on the glass panels of the patio doors, and through those, towards the silver birch that stood as an arboreal chandelier in the harsh morning frost. He clocked the untidiness of the garden; bushes not pruned, last summer’s bedding plants long dead, and the grass was a bloody mess. He hated to think what was happening down at his allotment, although Richard would happily sort it, the garden too. Frank would love to see more of his favourite grandson, but instead, here he was, confined to this one room, hearing the familiar creak of footsteps on the stairs as Hilda made her way down. He could gauge every one of her movements around the house, always knowing exactly where she was. Now, she’d be loitering on the other side of the sitting room door. Waiting for him to die.

He should call Richard. Do it now. There were secrets he needed to share with his grandson. Where was his mobile? On the table in the hall? Frank pushed himself into standing, but his knees collapsed as a sharp pain ricocheted throughout the front of his skull. Excruciating. Just like the last time, although this was worse. Much. He couldn’t see his wife but sensed she’d crossed the threshold into the room; he tried to call out. No sound came from his lips and in the lull that came before the real tornado he managed to move his head. There she stood, red hair now white and wispy, her face expressionless. He tried again, tried to say the words, Richard and phone. She turned away.

Frank didn’t want this to be the last thing he saw. The back of a woman he’d once loved so much but whom he’d come to despise. Instead, he found what he wanted to see, the full and vibrant image of a life half shared and of a woman so different to his wife, in every conceivable way.

Florence

Westerham, Kent

May Day 1928

With her legs splayed out and her back leant against the biggest oak in the village, which was conveniently situated at the rear of the church and away from prying eyes, Florence finished the last puff of her cigarette. She placed it on the parched ground and used the scuffed heel of her boot to extinguish it properly. The countryside’s like a tinderbox, her dad had told her; the last thing she wanted was to start a fire …

***

Buy Links:

Amazon: getbook.at/TheWallsWeBuild

Waterstones: https://www.waterstones.com/book/the-walls-we-build/jules-hayes/9781916338005

Biography

Jules Hayes lives in Berkshire with her husband, daughter and a dog. She has a degree in modern history and holds a particular interest in events and characters from the early 20th century. As a former physiotherapist and trainer – old habits die hard – when not writing Jules likes to run. She also loves to watch films, read good novels and is a voracious consumer of non-fiction too, particularly biographies.

Jules Hayes’ second historical novel, which is due for publication in late 2020 is another dual timeline story.

Jules also writes contemporary thrillers as JA Corrigan.

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Website: http://www.jules-hayes.com

Social Media:

Twitter: @JulesHayes6

http://www.twitter.com/JulesHayes6

Facebook Author Page: JulesHayesAuthor

http://www.facebook.com/JulesHayesAuthor

Instagram: JulesHayes6

http://www.instagram.com/juleshayes6

Writing thrillers as JA Corrigan.